Biggest Tech Deck Skatepark In The World

spotted by Hedi Slimane: Devendra Banhart & Rebecca Schwartz for "oliver peoples" ad campaign spotted

So, it is! We already know the designer who created the royal gown. Its author is Sarah Burton, designer Alexander McQueen for the house! It is a kind of "fillip" in the direction of Prince Charles, because the designer himself at the time of his youth without mercy, he outlined his views of monarchy, writing on the linings, jackets royal insults in the direction of the British monarchy, and they were placed just the Prince of Wales.
Since we are dealing with a pair of very modern, it could be deleted from the outset of traditional design, including Diana's dress authors' member Emanuel (which by the way it broke up just as the prince's marriage) and could also have been excluded by Bruce Oldfield, but Middleton has repeatedly appeared in his studio.
requirement is the home of the Royal wedding, a British designer, so any previous projects such fashion houses as Gucci, Valentino (adored by the Heads of State), Jason Wu, Nina Ricci, Badgley Mischka, J. Mendel, and so, unfortunately, went in odstawkę. Also the form of dresses offered by many artists do not fit for the wedding ceremony. Not really believed that Kate Middleton will choose a dress Alexander McQueen monarchy because of the designer's approach to the crown, but since Sarah Burton took over the reins of the fashion house, everything has become much more real. However, many people claimed that the designs were too avant-garde McQueen and innovative, inadequate for this type of ceremony - Today found out that Burton is able to create even the most classic dresses, minimalist, almost retro style. Middleton Wedding Dress is tailored to fit the upper body, neck V-shaped, while the shoulders and sleeves are decorated with beautiful lace, hand-woven in a pattern of roses, thistles, daffodils and koniczynek, which are symbols of the United Kingdom. Same koronczarki intricately wove these patterns every half an hour washing your hands, so as not to contaminate even the slightest gown and changing the needle, to be perfectly sharp. Dress from the waist is slightly once set in the bottom of the well was a subtle satin, lace pattern, embellished with a train, to hold down's sister, Pippa Middleton. The Queen lent the occasion Kate Cartier tiara "Halo", derived from the thirties of the twentieth century, which adorned her head with a 2.7 - meter veil. An example of that dress is the perfect expression of the excellent cooperation between the freshly baked duchess, and designer.

After we have seen the other dress Kate, less formal, the wedding party was founded on the princely couple. Creation as the wedding dress, was also written by Sarah Burton. This time, Middleton decided to dress very modest, very simple and minimalist cut. Top the same as in the first dress, she was matched. The waist was a belt of tiny diamonds, representing the entire decoration of the dress. The following dress was increasingly globed, devoid of any other ornaments. The princess just threw on his shoulders white angora bolero, completing the whole outfit.

What Is The Purpose Of In Cold Blood

Xerath - II (2011)

End of Part Two of the world ...

Xerath on myspace

Release Date: 04/25/2011
Genre: orchestral / progressive groove metal
Country: UK

Tracklist: 01
Unite to Defy 5:24
02 God of the Frontlines 4:37
03.     Reform III     04:36
04.     The Call to Arms     05:52
05.     Machine Insurgency     04:55
06.     Sworn to Sacrifice     04:44
07.     Enemy Incited Armageddon     07:24
08.     Nuclear Self Eradication     5:29
09th Numbered Among the Dead 4:36
10th The Glorious Death 8:34

Band:
Richard Thomson - vocals
Owain Williams - guitar, bass
Chris Clarke - bass
Michael Pitman - drums

Review by Est

In 2009, I came across a very original band playing - I do not remember exactly if the album "I" was registered to me by someone, whether himself intrigued by the tag defining music Xerath reached for their debut album. Britons have joined the two species, which together have never heard before - groove metal with a symphony. This amazing combination resulting in a great album, and music featured on the "I" listened to as a remarkable presentation of the film momentum. I knew that the band Xerath will not disappear in the depths of progressive music, and sooner or later, men will want to go for the blow, but I did not expect that it will be just a year after the release of his debut.

Xerath second album had its released on 25 April and was titled "II" - which is a logical sequence debut. The music itself is also maintained in the climates of the first edition. Anyway, no surprise - after all, "the winning composition will not change," so why the British had to combine the strength and change them to something great comes out? However, with the first piece I drew attention to the fact that the new release is less "theatrical" than the debut album. Symphony, of course, still holds a very important role here, however, has pushed them slightly backwards. Sam groove is also a little less boring than "I". In general, listening to the "II" I had a slight feeling of weariness, as if some boys from Xerath lacked ideas, but on the other hand, the second album is almost 20 minutes longer than the debut. This is, unfortunately, had to reflect on the quality of the composition, and unfortunately it did. While the "I" after the cuts were less than 4 minutes, so here it mean for 5 minutes. The band serves too many exemptions, which further pushed the symphony is only a backdrop for sluggish uniformly breakable guitars. Vocally the album presented a very similar level as the debut. Some of the guitar licks also make that the head nods to the rhythm, but less use of a symphony to me is reprehensible. After all, it was a symphony made the debut album of this band was so amazing. Here it has been limited, and in this respect and the material is far less interesting. Wwiercają same numbers are not in memory, but I remember the debut of some really mighty composition, which until now I recognize the first sound (even the mighty "False History" ). Xerath evidently aims to to become a progressive metal band playing - who knows, maybe the next album will not abandon groove?

admit that reading online reviews about the "II" was a concern, because the album was often described as average. In any case, I did not believe that this band could go down from the pedestal on which I set it after hearing their debut material. As it turned out Xerath much more went in the direction of progressive metal and a bit like a forgotten orkiestracjach which contrasted perfectly with the groove metal. Their new release is just good and it is only in the category of progressive play, in comparison with the "I" the new material performs poorly. Cuts are too stretched by what the word lose its aggressive and at times even dissolve in a quiet melodyjkach. Devotees 'I' rather be the second release Xerath disappointed, but those who delight in playing with an aggressive and progressive vocals probably will be satisfied with "II". As I have said to me is a good progressive release, nothing more.

Rating: 7 / 10

Ucozaquarium Template

About the breathless boredom

Boredom. Earned a yellow belt in jujitsu and consider doctorate in botany. Well, maybe a collection of strange, but:
a) does not happen every day an opportunity to throw a man with a black belt
b) I have no idea what to

generally managed to get quite smoothly, the UK, start dorabiać. It behooves me now to go about planting trees, building houses and begetting a son. Though I do not see prospects for procreation, unfortunately.

from this and not fitting to the occasion, so a little sit down and think about what's next. So I hereby announce that I will be wondering.

Brent Corrigan Go Go Show Watch

staring at a Goddess. Temple

Alabama Thunderpussy - Staring At The Divine (2001)

Year: 2001
Genre: Southern Metal
Country: USA

Tracklist:
first Ol 'Unfaithful 4:16
second Motor-Ready 4:21
third Shapeshifter 4:12
4th Whore Adore 4:39
5th Hunting by Echo 4:35
6th Beck and Call 3:45
7th Twilight Arrival 6:44
8th Esteem Fiend 6:11
9th Ssdd 6:41
10th Amounts That Count 2:40

Ingredients:
Johnny Throckmorton - Vocals
Erik Larson - Guitar
Ryan Lake - guitar
John Peters - bass
Bryan Cox - drums

Review by Tomza

If you would like to summarize in one sentence my feelings associated with "Staring At The Divine" I'd have to write something like, 'damn enjoyable album in the reception, besides just reminds me of the reasons pozamuzycznych. " Climate noon here in the U.S. feel km, although it is worth noting that more uświadczymy play with the neighborhood stoner / doom than is the case in almost star-studded (but highly celebrated by me) Down. Spicy guitar Erik Larson and Ryan Lake'a pushed by the majority of the album tracks, but I must admit that, despite its specific chwytliwości are not overly lively play, which means that even this southern music requires some familiarity before they can comprehend, tame and will learn from each other full of joy. Particularly, the attention attracted by blues-based (but far from simple) guitar solos. In short - they are kick-ass and racjowne. And that should be required to team likes ATP.

Positive impressed here too distinctive singer Johnny Throckmorton, for which I would see engagement as both in the hit rock and suffocating death metal. Lord, this is usually sung, half-clear and zadziornym, (I write at once that definitely male) voice, she can But go very successful, smooth growl without napinki, which presents a devilishly hard "Shapeshifter". Songs are varied. The album opens up a bit and quickly sabbathowski wbijający wżynający in memory of "Ol 'Unfaithful', where a meaty riffs might thing that are broken ... and kick-ass at the same time. Song intrigued enough to unusual places (which does not mean that unusual) rhythm. Then we fast, you really hit a piece of the album - "Motor Ready." Dirty, hard and fast, and for dessert a great moto-momentum. Third track is the aforementioned "Shapeshifter", where enormously heavy shelling intertwined with zawadiackim, quite ethereal chorus. A piece of bursting from the emotions, is angry as ancient gods and epic as the works of poets who sang praises to the gods. In "The Whore Adore luzacki totally dominates, zwalający feet riff, complemented by expressive melodic lines Throckmorton, which feel a kind of youthful male Added to this are great to play solo. In "Hunting the Echo team makes the pot more conventional melody, nostalgic I would say that does not mean that it is banal and devoid of depth. At first listening, this song knocked me now I know it's brilliant. Perfectly balanced weight and featherweights and evocative dream-like atmosphere to truly correspond to a clear climax in the middle of the piece. The next hymn is "Beck and Call," where Johnny once again proves that he can ryknąć, so that the fall meadow, with no tears snout as callow young shaver. Lots of nice łojenia, and in addition many associations melodies to me a little bit with some folk on coke or other podrasowanymi Irish songs;) is the seventh runaway hit, "Twilight Arrival" which again makes itself felt pretty damn well-tailored oneiric climate. Maybe even a bad dream-like determination. In any case, music does not sleep, but rather creates the illusion of departing into the distance while staring at the constellation of stars. Thing, you can: refreshed following acoustic blues in the first half of the twentieth century, combined with metal jebnięciem south. The number eight is "Esteem Fiend." Heavy, greasy, very lively and dynamic number of delicious harmonies. I must admit that at first I ignored it completely. But now I know it's fucking rocking, and still very rough roller - I like these calls. The ninth piece is "ssdd" tells the story of life on the road. If, however, before he paints you a vision of bars, embarrassing zaśpiewów, - quiet if that's not such a place here. It is possible that my favorite song on this album. Powerfully catchy, broken melodies, motor skills and a lot of interesting compositionally hit relief. A theme with lush, dashed against poklasków solo, it's ecstatic peak of excitement, which the listener can experience!

voltage slowly goes down to the sound of "Amounts That Count," which is something like a fast, somewhat technical country. But do not flee in panic. It's very stylish, with space catchy song, and not some kind of Italy (though many will still see it so.) With the right wokalizom gentlemen have done with this surprisingly good oi hot number, which I, for example, can not fly out of the head.
summary - strong position for the longer amount of odsłuchań. It improves mood, adds strength without losing the melody and pierdolnięciu. Music is not just to commune with piwku - here is something more. First of all, a lot of specific and difficult to express in words the atmosphere. And zero boorishness.

Rating: 9 / 10

Dance Songs For Variety Show

occult

Necros Christos - Doom Of The Occult

Year: 2011
Genre: Death Metal
Country: Germany

Tracklist:
first I
second Temple Baal of Ekron
third Temple II
4th Hathor of Dendera
5th I
6th Gate Temple III
7th Nun Necromatique
8th Temple IV
9th Invoked from Carrion Slumber
10th 11th Gate II
Temple IX.99
12th Doom of Ma Kali - Shakti Pyramid of Love - Flame of Master Shiva
13th 14th Gate III
Temple V
15th Succumbed to Sarkum Phagum
16th Temple VI
17th Embalmed Visceras of the Deceased
18th Gate IV
19th Temple
Jul 20th The Pharaonic Dead
21. Temple
Aug 22nd Descending into the Kingly Tomba
23rd Gate V

Ingredients:
Raelin Iakhu - drums
Black Shepherd Ov Doom - bass
The Evil Reverend N. - Guitar
Mors Dalos Ra - guitar, vocals

Review by MD

" Doom Of The Occult "is only the second full length album in over ten years of his career the German Necros Christos. Previously recorded several demos and splits, but only debut album in 2007 introduced a lot of confusion among the listeners of extreme metal. We can easily say that the innovative style of using the classical patterns of European Death Metal combined with a bold use of elements of setting up a religious-occult atmosphere of excitement he had to arouse interest to the public. He was also a response to the black metal fumes in similar climates, which conquered the scene over the past few years. Necros Christos probably the first among death metallers go in this direction by using the patent on such a scale. Was it only a freak one-off or fully aware of the achievement worthy of an established position in a canon where heavy music? I think that the second Necros Christos album for answers to this question.

no reason to hide, I believe that the Germans went forward and met the expectations. They managed to record that even if you do not repeat the success of its predecessor falls as well. Constitutes a natural continuation, and although it is not much different is characterized by its own distinctive undertones, however, constitute a separate part of a coherent whole which is a collective of Necros Christos. Starting

catching similarities (which is plenty) between the two boards should be Note that they are built in a similar way, not only in terms of all sorts of so-called "przeszkadzajek" (ie, instrumental interludes to support climate) where the quantity and quality is comparable but strictly in terms of composition of metal numbers. These works are dense, largely based on slow or medium tempos, weaving in with guitar riffs and - the impression - a bit slackish drums. But all this is well thought-out procedure, one must admit that the musicians know very well what they are doing, because allow the listener to immerse themselves in the dark tones conducive to trance even recitations of prayers (which underlines the excellent lead vocals), and after a while at full speed without leaving too much time to think about to give up enraptured him in chaotic spasms. The team has an adequate control these feelings in a moderate way of metering your licks. It also turns out that quite helpful, however, cutscenes and all sorts may be perceived a little frivolous to intra intr Outra the outre, and that may not like many students, but ultimately, after building a climate in such a way How is the team came up with. After further questioning it is easier to get used to it and even see some positives in this. It is true that may irk some of these same stylistic interludes be shot by the band gives the impression that he could not decide between the tribal rhythms of the epic style of Soulfly and inserts a native of the Nile but ultimately it is not so big problem. My attention just on this particular field to help return the church organ to imagine the atmosphere of some dark temple. A very important element for the Necros Christos is however, is that they can produce a bad stuffy and stale atmosphere of not only different secondary accents but most of all his instrumental work in the primary, after which the matter is Death Metal. Mentioned earlier with a slightly trance riffs and melodic odchyłami slow, crushing drums are also quite effective and efficient in creating a sinister atmosphere. Deep, filled with evil grim vocals yet it points out.

Necros Christos is a phenomenal band and by releasing his second album maintains a very high position in its niche. The team showed that impressive what causes it does not work for a skillfully developed quality. The quality that I hope will also be presented in subsequent albums.

Milena Velbahentay Gallerie

Iron Maiden - Somewhere in Time (1986)

journey through time and space

Iron Maiden on myspace

Release Date: 26/09/1986

Genre: Heavy Metal

Country: United Kingdom

Tracklist:

first CaughtSomewhere In Time - 7:25

second WastedYears - 5:07

third Sea ofMadness - 5:41

4th HeavenCan Wait - 7:21

5th TheLoneliness of the Long Distance Runner - 6:30

6th Strangerin a Strange Land - 5:44

7th DejaVu - 4:55

8th Alexanderthe Great (356-323 BC) - 8:35

Ingredients:

Bruce Dickinson - vocals Dave Murray

- Guitar

Adrian Smith - guitar

SteveHarris - bass

NickoMcBrain - drums

Review by Frodli

exhaustive, but it is every successful "World SlaveryTour" ended and the band faced the question: what next? Sobiesprawę seemed that the formula of playing, which together accounted for Iron Maiden in pewnymsensie is exhausted, which was sometimes the symptoms can be heard on the "Powerslave." Apparently, Bruce made the proposal to record an album of acoustic guitar, but it passed. There have been rumors about crisis in the team. Fortunately Stevezachował as befits the leader and gathered everything together. Help przyszłaze the Adriana, who pushed through the introduction of synthesizers, guitar ISAM has composed three songs.

Quiet intro-tytułowegoutworu law heralds a new one. After less than a minute, calm the theme gitarowyprzeradza istnego killer. The game can be heard both routine, maturity, what freshness, which was so needed. Duel of solos is already complete opadszczęki. The biggest hit from the album has become a "Wasted Years" and it is difficult siędziwić. The number is very approachable, seasoned with the divine spectacle of Adriana.Czołówka solos among the team, if not the first place. In początkowychsekundach "Sea of \u200b\u200bMadness," heard a great bass, which reads znakiemrozpoznawalnym Virgin. Once again, cheers to Adrian and Dave. Nakoncerty perfect anthem turned out to be "Heaven Can Wait" with a very melodious "oooh" jakoszansą for fans to leave the stage. In the song a lot is happening, kilkakrotniezmienia pace, and the musicians give it their all. That is how the Iron Maidenstandard. "Loneliness of the Long Distance Runner is not a bad song, a little tiring aleposiada chorus, except that it seems a little bit dragged. Potężnasekcja rhythm guitars enter, and thus begins the "Stranger in Astragali Land." One of the most underrated pieces of the team, and is just brilliant. If you can attach to something, it is for solos, którajest far too short. The only composition on the album that does not exceed pięciuminut is "Deja Vu". A bit in the style of the opener. Now is the time for which ozdobąpłyty epics, which has never been performed by the band live, what cries out to heaven opomstę. "Alexander the Great," which is the essence of style wypracowanegoprzez Iron Maiden on the album. Everything is in place, a solo zasolówką skalpują more.

musicians went to the element, nagralicoś detached from earlier work and unique. Not a few jestgłosów that the disc contains the best guitars in team history. Oczywiściewydając this album Iron Maiden was already a star, where fans will buy his beloved wszystkopodpisane name. Fortunately, they did not go on lazy and not zawiedliwielbicieli. Once again, they killed almost the whole.

Rating: 9 / 10

More Periods At Age 40

Turbo - Taste of silence (1985)

Heavy metal and sialalajki

Turbo on myspace

Release date: 1985
Genre: Hard Rock / Heavy Metal
Country: Poland

Tracklist:
first Taste of silence - 0:21
second It is no longer with you - 3:03
third Teach us all the time - 3:56
4th Crazy dance - 4:03
5th Words full of words - 4:21
6th Does me no - 4:24
7th What was that day? - 4:39
8th Choose yourself - 4:45
9th Everything will be ok - 4:32
10th The birth of a demon - 4:28

Ingredients:
Greg Kupczyk - vocals
Wojciech Hoffmann - guitar, vocals Andrew
Łysów - guitar, vocals
Bogusz Rutkiewicz - bass
Alan Sors - drums

Review by Frodli

Two years after his debut album Turbo issued again. Publishing provides an interesting phrase, "The album is dedicated to the band Iron Maiden, although cover is more like" Screaming For Vengeance " Judas Priest. At this point, the comparison to the likes British heavy metal can end, because the "Taste of Silence" is lighter than the heading "Adult Children", aimed at the mass audience.

Intro "Taste of Silence" is basically a deformed excerpt ballads with the same title, which the band is playing from time to time at the concerts. It passes the sharp opener "It is no longer with you." It is true that the text can be considered ridiculously simple, but music is a masterpiece. More weighted down than on the debut of the guitar and vocals Kupczyk sharper is that the prelude to the subsequent accomplishments of the team. Musicians are going to be a blow to "teach us all the time," whose life is the most comprehensive text on the CD. "Crazy Dance" and the bumpy ride continues. The perfect riff and racially heavy metal guitar solos, and the piercing screams of a thoroughly characterized by the sharpest in the early works of Turbo track. Lighter part of the disc opens melancholic "The words full of words." Text can be explained in two ways-long love, friendship ... Cloudy in the mood improves luzacki "Do me no," the catchy, hard rock riff and neat part instrumental. The climax of the album is the ballad "What was that day?" Played in a truly ajronowy way: slow start and a stronger impact on the end. For years, discussions are ongoing between the fans of the team, whether that composition is better than the "adult children", but of course it depends on personal taste. If someone a little hiciorów on board, it has "Choose Yourself". Again, full of play, sing-song chorus, and solo no words. Audible inspiration we have in the Black Sabbath "Everything will be ok." Another beautiful ballad in the output band. At the farewell assembly served an instrumental class "Birth of a demon." A big part in the quality of the song has a new rhythm section. Tandem Rutkiewicz / Sors here proves its usefulness and class, and the guitarists are not lagging behind. Thus

presents the second album Turbo. Song full of contrasts, because on the one hand shows inclinations toward hard use on the upper limit speed of heavy metal, but half of the disc reveals quite different trends. So stylistically inconsistent disc must necessarily be regarded as a "gray mouse" with distinctive "adult children" and the legendary "Cavalry Satan. " I think that is totally wrong opinion, because this album is simply a disc without an evolutionary leap from the debut of "Cavalry ..." would be totally illogical.

Rating: 8.5/10

Seria Trial Mount And Blade

Iron Maiden - Powerslave (1984)

Virgin wave

Iron Maiden on myspace

Release Date: 09/03/1984

Genre: Heavy Metal

Country: United Kingdom

Tracklist:

first AcesHigh - 4:32

second 2Minutes to Midnight - 6:03

third LosferWords (Big 'Orra) - 4:15

4th Flashof the Blade - 4:05

5th TheDuellists - 6:06

6th Backin the Village - 5:02

7th Powerslave-7:11

8th The Ancient Mariner Rimeof - 13:38

Ingredients:

Bruce Dickinson - vocals Dave Murray

- Guitar

Adrian Smith - guitar

SteveHarris - bass

Nicko McBrain - drums

Review by Frodli

gentlemen with Iron Maiden did not surprise anyone spending piątąpłytę fifth year in a row. Not wprawili also stunned his playing, as already demonstrated that they can use their instruments, as few others.

album opens with an aggressive, dynamic, amazing 'AcesHigh. Each musician performs his job perfectly, and solos at prostuwgniatają into the ground. Killer is no less "Two Minutes to Midnight." Szkodatylko that riff seems to be hard bodies and even by Saxon Accept ... The next piece in the queue is "Losfer Words", the last as this poryinstrumental team. Nothing particular stands out, but can be no wypełniaczunie because riffs, melodies and solos are of the highest order. Sharp launches jakbrzytwa theme of "Flash of the Blade." Amazing song, in memory of któregonajbardziej falls just this lick. Another bomb is "TheDuellist", but in his case for the flaw could be knocking "WhereEagles Dare," which opened the previous album. The measure takes częśćinstrumentalna track, which once again Adrian and Dave make jaw-dropping. Back inthe Village "is a runaway Hicior perfectly fulfilling its role. Tytułowyutwór beats the previous compositions, may be only the first two mudorównują. "Powerslave" is characterized by a resemblance to a desert in Egypt and a riff, perhaps the best on the entire album. As a separate part for the duo wioślarzyto simply no words, yet another show of virtuosity. The album closes longest wkarierze team composition. The genius of the square. "Rime of the Ancient Mariner" worth jestkażdej dedicated to its hearing minutes. One of the best songs I have ever been recorded.

disc is in a straight line poprzedniegoalbumu heir, the final product of the evolution of the band's style, because (in anticipation of it), another disc in large part is cut off from the past. Promotion płytytowarzyszyło largest in the history of Iron Maiden tour, in addition wPolsce started. Left behind a souvenir in the form of cult koncertówki "Live Afterdeath. If you can attach to something it's probably just that the "measure" is not as publishing a killa, like the first and last dwakawałki.

Rating: 9.5/10

Can You Bring Shampoo In Checked Luggage

Turbo - Adult Children (1983)

breath of freshness on the Polish stage

Turbo on myspace

Datawydania: 1983

Genre: Hard Rock / Heavy Metal

Country: Poland

Tracklist:

first Mad Icarus - 3:35

second Wordy day - 4:10

3. In a - 5:00

4th Someone turned - 3:20

5th Apparent life - 3:10

6th There has been a tightrope - 5:00

7th Do not mean nothing - 3:25

8th They said sometime - 3:05

9th Adult children - 7:20

Ingredients:

Kupczyk Greg - Vocals

Wojciech Hoffmann - guitar

Łysów Andrew - guitar Piotr Przybylski

- bass Wojciech

Angel - drums

Review by Frodli

Turbo the legend of Polish heavy music and a few songs lubnawet knows probably every fan of metal in our country. Since its debut in the 90s dorozpadu recorded heavier album, but ... Everything in order.

At the beginning of the 80s in our krajunie was cheerfully martial law, a shaky political system, lack of prospects dlamłodego generation. This state of things had to wake up and revolt Turbo nieustrzegli musicians before him. Remarkably lyrical proves that "Dorosłedzieci" is an album rebelling youth.

At the start demolishing the listener "SzalonyIkar. More than one person sees a riff similar to "The Trooper", hit IronMaiden. Extended to the front of the bass can also evoke dokonaniakapeli with Eddie as a mascot. "Viewed days" endowed with a relatively długimintrem may pass on parts of the flick on the nose for the regime media. Zdrugiej part is simply coming up under the heavy metal rock kompozycjaukazująca full class musicians. Wojciech Hoffmann / Andrew Łysów toprawdopodobnie the best guitar duo in the history of our scene, Wojciech Aniołagra like the best drummers of that time in the islands, Piotr Przybylski świetniesprawdza the role of "Polish Harris', no time and the young Gregory Kupczykchociaż not yet in the throat under the" Cavalry of Satan "is no longer a rock porywacharyzmą and claw. Third on the list is fine, the instrumental ekspresjagitarowa "in itself". Five minutes passed reverie and return to driving hard rock, because the "same sort" does not slow down even for a second. Strongly rhythmic composition zasługujena attention. Bitter reckoning with adolescence is the "Apparent life." If komuśbrakowało something as fast as the "Mad Icarus" is "There has been a tightrope" to satisfy him completeness. British School riffowania, splendid, plastyczniezaśpiewany chorus (wzlatywania feeling up and down), speeding solówki.Ciekawy the text "mean nothing" stigmatizing people meekly accepting zsystemem (yes, it was then censorship, but he recently said Hoffmann, żeosoba to check their texts or did not want to see what they are, or byłakompletnym an idiot). Significance is even more powerful hymn, "They said once," gdziefraza "They said that one day we'll have a world which was not dotądnikt" in conjunction with crushing guitars create a great prologue to tytułowejballady. Polish rock classic, the worst-case text can sing every man the threshold of adulthood stojącyu dostrzegający hypocrisy environment.

Looking at the Turbo zperspektywy debut almost three decades, it can be stated with amazement that a large częśćtekstów is still valid. Young people are confused, the media are lying, and zasadaBMW still valid in some circles. The team took off from wysokiegopułapu, although it was not yet the riffs and the voice, which inscribed grupęzłotymi syllables in the book of Polish heavy.

Rating: 8.5/10

Low Cut Singlets Mens

guilty of all this Nu Metal

Korn - Korn

Year: 1994
Genre: Nu Metal
Country : U.S.

Tracklist:
first Blind
second Ball Tongue
third Need To
4th Clown
5th Divine
6th Faget
7th Shoot And Ladders
8th Predictable
9th Fake
10th Lies
11th Helmet In The Bush
12th Daddy

Ingredients:
Jonathan Davis - vocals
James "Munky" Shaffer - guitar
Brian "Head" Welch - guitar
Reginald "Fieldy" Arvizu - Bass David Silveria
- drums

Review by MD

Let's go back to 1994, in that year will be released debut album the group Korn, and is called simply as the band itself. By some fans called the "Immortal" from the name label, which is the company responsible for the appearance of the disc. Plates very discovery and breakthrough, the contribution to the development of so-called serious music is incalculable and can not be disputed. It is through this album, Korn began a major revolution, for which the band are admired by some, hated by others. The answer to this situation is not very complicated, but the simplest is also not to be. If anyone is even slightly better than average understanding of the wider metal-rock music knows that nobody had ever played in this way. I must admit that the palm of priority should be to Korn and there is simply no other option. They pushed a modern metal music (let's call it so contractually) on a brand new track, even at a higher level. Undoubtedly, had the idea for themselves, not only innovative but also crazy. It was impossible to predict how audiences will react to this so-called level of audience "heavy" music. Fortunately, the same team had it in the ass. I played phenomenally, on the heights of their abilities, with unusual creativity, flair, freshness and chwytliwością. Music has proved to be very complicated, though perhaps not in terms of the same composition and in terms of emotions.

Perhaps the most important moves is the innovative use of a brand new, by now a distinctive group sound. In addition, instruments used in a manner far too common. Hard-tuned guitar and bass tones are significantly lower than those adopted in the "standards" to pay particular attention. In addition, these instruments are used are in a rather non-standard, often extends to the fore the weight of the composition emphasizes the bass and adds extra depth to them. Siedmiostrunowe often plucked guitar, with riffs wywijają you've never dreamed of metal and rock guitarists. And let's not irrelevant if it's a tone here is extraordinary singer of great skill that sets new boundaries of vocal art. Jonathan Davis can really show off his wide repertoire, from the screams and moans of the psychedelic, growling, screaming to the clean, alluring vocals. I think after hearing this vocalist can not be his feats just let go of the past, if someone likes it or not.

What weapons as a group as a collective? Unbelievable rip. Sounds despite all its complexity are properly considered and matched. Though sick, and unconventional, however, form a coherent whole hard cut into the brain. Korn songs are very expressive, each one is distinctive in its own way, each also contains something that distinguishes him among others. At one time it will be in a hypnotic riff throbbing bass and in yet another psychedelic mood.

The debut album from Bakersfield guys do not run out of "hits" or zapamiętywalnych killers. Everything starts with "Blind" mystery in the initial phase listener's head and striking, surprising and killing on the spot at a later stage. Then comes the section more or less lively and groovowych pieces of varying speed and specificity. The center of the disc included is a masterpiece, no doubt belonging to one of the best in creativity if not the best Korn - "Shoots and Ladders" where everything that happens can happen and it starts with the innocent sounds played by the singer on the bagpipes! At the end of the band gives the listener quite reflective, long and powerful piece in the form of "Daddy" marks the very clear presence deck unprecedented emotion. Besides the excitement of the Korn and also very important characteristic, really - so many emotions and dedication to the music played hardly found in the other team. Obviously this is not a sensation but may Korn introduced to the world.

summary must say that Korn's debut album is one of the greatest achievements in the history of heavy music, or someone like it or not, this is a totally new quality and a completely different level than what can be heard until 1994. This new style. And just because we know this record and grant the team respect.

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A small dramas

Radiant 35 years had just finished biography. Seriously. I did not know that people live so long. I suspected that the dust may have some thirty years, and as larger stones can even thirty two, but so much? Unfortunately, I decided to share this observation with him (three times) and admit that it endured at most "brave." But it goes on and on with no żremy.

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Mortification - Live Planetarium (1993 )

living proof of the size and power

Mortification on MySpace

Release date: 1993

Genre: Death / Thrash Metal

Country: Australia


Tracklist:
1. Grind Planetarium (5:16)
second Distarnished Priest (7:50)
third Brutal Warfare (4:10)
4th Beholds Destroyer (3:56)
5th Inflamed (3:32)
6th Scrolls of the Megilloth (3:29)
7th Symbiosis (6:03)
8th Time Crusader (5:55)
9th Black Snake (2:37) (Bloodgood cover)
10th From the Valley of the Shadows (8:12)
11th Human Condition (5:45)
12th The Majestic Infiltration Of Order (1:10)
13th This Momentary Afflication (0:47)

Ingredients:
Steve Rowe - vocals, bass
Michael Carlisle - guitar, vocals
side Jayson Sherlock - drums, vocals side

Review by Marko

his last concert in a warehouse with drummer Jayson Sherlock Mortification played on October 1 1993 in Blackstump Festival in Australia. Show was recorded and released in 1993 as a VHS tape (in 2006 re-release DVD with a lot of bonuses) and live album "Live Planetarium".

The selection of songs that were here, it's hard to have some major reservations. The program disc was driven mainly by the greatest hits from the previous achievements Mortification. So here are such gems as the extremely catchy "Brutal Warfare" flagship "Scrolls of the Megilloth" or extended "From the Valley of the Shadows." Of course, any fan of the team will be happy to dorzuciłby the setlist a few undisputed classics such as "Until The End", "Satan's Doom", "Terminate Damnation" or "Death Requiem", but unfortunately can not have everything ...

Besides these songs compensate for the lack of two brand new songs and a cover band Bloodgood. This is a cover of "Black Snake" - a number from the first album of that band. It has been played out as befits the Mortification, which is spontaneously and violently, but strikes a little spoiled here guitar solo ... The new songs came out flawlessly. Successful "Symbiosis", continuing the expanded and more thrash style of the "Post Momentary Affliction", found later on the LP the next group, "Blood World". The second new piece, having a splendid riff, "Time Crusaders" in the studio was only released on several compilation albums, so his presence here is doubly valuable.

absolute strength of this release is the atmosphere. You do not need too much imagination to feel like a concert group. Following plate is selective, one can clearly hear all the instruments, vocals and - more importantly - the raging crowd. I do not like overly przeprodukowanych, "studio" koncertówek, where the audience cheers occur at most during the breaks between songs ... In my opinion, very often no real climate of such publishers, a metal show. Here, however, almost every moment hear the genuine excitement of a group of fans who still clap, whistle, shout and sing your songs together with Steve. I do not know how this effect is achieved by means of technical tricks, and if this is an authentic record of the public reaction, however, looked a lot of video fragments described the concert, the second option seems to me very probable. Respect.

conclusion: "Live Planetarium" listen to the great and less than an hour with music by Mortification passes very quickly ... Maybe too fast. Why not release the album again? This album is a great summary of the first, the highest-rated by fans and experts of the period of the history of the group. Very good koncertówka.

Favorites: Time Crusaders

At the encouragement:

"Scrolls Of The Megilloth"

"Symbiosis"

"Brutal Warfare"

Rating: 8.5/10

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delays.

'm a little bit delayed in writing, at least three notes. I suppose having one at all is already forgotten. It's all because it does not talk to the radiant. Finally returned after two weeks and do not know what's going on, but do not have time to talk.

When I decided to go a little bit to blend into the crowd and pretend Brit. On this occasion I took to be traditional and not difficult cake - Flapjack. Unfortunately, the flapjack is so British as Sir Arthur Conan Doyle. Skądby not come is nice and easy to prepare and goes very British. So - Apricot Flapjack.

Ingredients:

• Scotsman - 1 pc
  
• Instant Oatmeal - 125 g
  
• expensive oatmeal - 125 g
  
• salted butter - 150 g
  
• goat - 1 pc
  
• low-sweetened apricot jam - 100g
  
• sugar - 75 g dried apricots
  
• - a few pieces

O oatmeal - are usually expensive in their entirety, clearly wyróżnialnymi individual flakes are cheap broken, blurred and have a lot of oat dust . Both types are needed. In the absence of more expensive, you can use just crushed, though not vice versa. About

butter - should be salted. This usually produced in Spain and in the islands, though you can always simply a bit of salt.

Preparation. Scot stunned a goat, and ripping off the kilt. Przyobrawszy throw in a kilt in mich butter, jam and sugar. Put a couple of minutes in a microwave oven (or on the stove) and the heats while not melt. In the meantime, chop the apricots.

fluid mix, throw petals and apricots, mix timber assets. Bake for 25-35 minutes at:

• 175C to obtain the version of the damp and slightly malleable
  
• 200C to obtain a version of Crispy

In the meantime, pushed the goat under his arm and dmiemy in it worthy of bringing out the sounds.

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4Way Headexplode Split (2011)

Blood, guts and świniaki

Release Date: 04/13/2011
Genre: brutal death metal / grindcore
Country: Poland

Split Composition:
Unborn Suffer - myspace
Malignant Rectal Murmuring - myspace
Cranial Schism -
Execute myspace - myspace

Unborn Suffer
01 Madness, Chaos, Betrayal (intro) 02
All Hope Abandoned
03 Chains Of Nothingness (Rotten Womb)
04th The Gift Giver
05th Collision
06th An Impulse To Create

Malignant Rectal Murmuring
07th When the father comes up to the 08th
Baths Horse Spierdolina
09th Go to hell bitch angry
10th I have a bigger penis than my colleagues

Cranial
11th Schism Konspirasi Monotheisme
12th Tentara Saliba
13th Shitting on a Crucifix

Execute
14th Separate
15th Way Lethargy

Review by Est

On a daily basis do not listen to this type of music, though brutal death metal is not alien to me, rather than grindcore'u page. But this time I decided to listen to the split with the participation of Unborn Suffer - indeed some time ago I decided that I listen to some recordings of this formation, and now the opportunity arose. "4Way Headexplode Split" can be downloaded completely legally and for free at the following address - download

material itself is quite long, because it lasts almost 40 minutes, but you have to take the patch to the fact that This is split up to four bands, each with a different approach to the matter. Already looking at the same tracklisting and length individual pieces more or less know what to expect from each of the formations.

opens Unborn Suffer rate, which actually does a very good impression - the "film" panels make it a little bit I associate with the band Sideblast. Band from Bydgoszcz, playing hard, fast, but still somewhat experimental. These experiments reveal already on the occasion of the opener, in which the percussion sounds pretty uncommon. For the instrumentalists playing the song "All Hope Abandoned," which is like an escape from napierdolu, which I found on this split. Moreover, the vocals are not so scary as initially thought, "świniaków" is a little, and those that are falling out really well. Even so, for me, for those few pieces of Unborn Suffer far more important is the vocal music, which actually crushes. Therefore, one of my favorite songs on this split is said, "All Hope Abandoned," but also "An Impulse To Create" in which there are "film" blocks and musicians are rocking. The very length of the pieces is definitely enough - the maximum time is 2:37.

Second up is the band Malignant Rectal Murmuring - The titles of songs I dare assume that their songs have lyrics in Polish. Unfortunately for the hell did not understand a word of what roars, squeals and singer, but if it interferes with the perception of music? Not really. Band starts with a thick tube, because the number "When the father enters you into the tub" is indeed a revelation, and my strong favorite at this split. Sounds like a piece of exaggerated, almost grotesque rock'n'roll. Other cuts are no longer such a thrilling, even though "I have a larger penis than my colleagues," it falls well, because the music is completely different, just sticks out, which in this case is a plus.

Cranial Schism split recorded only three pieces, but the aggregate of their time is up to 15 minutes. Tracks sound completely professional, the sound is good, the vocals do not offend, and the only thing that leads me here is the length of tracks - unfortunately, in the case of such playing pieces are longer than 3 minutes are becoming tiresome, and thus tend to pressing "skip" in During this time. In addition, the band split gave the material, which probably was variously mixed, because a piece of "Shitting on a Crucifix" sounds completely different than the other two, but it is also the best number of the formation that appeared with "4Way Headexplode Split". Cranial Schism did not play badly, but surely the pieces are too long. At the same time once again emphasize that it is muted by "Shitting on a Crucifix," came a big plus and a pity that the remaining pieces of this formation does not sound the same.

At the end of the hit band Execute two numbers - a total of slightly over 9 minutes. And here we have to do with death metal (in the music). Anyway, stylistically this formation suits me far the most among the bands that appeared on the split - although I think vocals could not be the throat, but it is a matter of taste. In this case, the 9-minute material is almost spot on. Musically this band far ahead of another group, which provide the "4Way Headexplode Split" - of course, appreciate it from the perspective of the person is definitely closer to even zbrutalizowanej variety of death metal than grindcore. Completion of the split really remarkable, especially for fans of extremes.

conclusion - "4Way Headexplode Split" is an interesting publication that showcases various forms gridncore'a and brutal death metal, but rather ways of combining these two extreme extreme species. Each of the bands presents quite a different way of playing - it is audible even to me, means a person who does not zasłuchuje in this type of music (although as I said brutal death metal is not alien to me.) For lovers of extremes is almost mandatory release, the more that can be downloaded for free and fully legal. Ratings do not exhibit, because I would have to be made to each band individually.

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Mortification - Post Momentary Affliction (1993)

(Nuclear Blast Cover)

(Cover Intense Records)

differently, but equally well

Mortification on MySpace

Release date: 1993

Genre: Progressive Death Metal / Thrash Metal

Country: Australia


Tracklist:
first Allusions From The Valley Of The Shadows (0:47)
second From the Valley of the Shadows (8:01)
third Human Condition (4:36)
4th Distarnished Priest (7:24)
5th Black Lion Of The Wind (0:27)
6th Grind Planetarium (4:27)
7th Pride Sanitarium (reprise) (1:18)
8th Overseer (9:18)
9th This Momentary Affliction (0:51)
10th Flight of Victory [bass instrumental] (1:52)
11th Impulsation (4:25)
12th Liquid Assets (0:33)
13th Vital Fluids (6:21)
14th The Sea of \u200b\u200bForgetfulness (0:29)

Ingredients:

Steve Rowe - vocals, bass
Michael Carlisle - Guitar, side
vocals Jayson Sherlock - drums, vocals side

Review by Marko

As the pace of work Mortification early 90s was the killer (almost as like their music), the musicians decided to quickly discounted the success of second album and record their third album. The recordings were registered under the watchful (common?) Eye duo Doug Sanders & Mark Staiger and published in 1993 under the colors of both the Nuclear Blast and Intense Records (different covers!) As an album "Post Momentary Affliction".

"Post Momentary Affliction" is a kind of a mature blend of the two previous works of the team. This album has a lot of the "Scrolls of The Megilloth", and therefore continues to be a lot of elements here typically death metal - blasts, aggressive dicing, growl, demonstrate. This time, however, the Australian trio's music re-appeared on the thrash metal and more classic licks (even returned - albeit only in trace amounts - solos). These ingredients may be seen clear references to the earliest period of the group.

Such a partial confirmation of the most blunt Mortification return to his past, the fact is put on the record too fast, motor track "Impulsation", which previously was already on the demo / album "Break The Curse". Version presented on this album is heavier, stronger and more interesting than the original - just better. Putting this here for archival piece is understandable, because it perfectly fit the contents of this release.

The premier site pretty big numbers you hear the changes. In the works, however, more melodies, pieces have become more sophisticated, harder diverse, yet are easier to remember and I think just more interesting than the previous works of the band. For me going down the path of brutal death metal and go in a little more ambiguous in terms of artistic atmosphere of the group came out for good.

still is, however, racial, and metal music. The team once again wrote damn good, distinctive riffs guitar, which can be seen from the very beginning "From the Valley of the Shadows." THESE are the sounds in your memory forever. Consuming guitar licks greatly facilitates the production of the album. The album became a little more selective, is not so muddy and unforgiving as the "Scrolls of the Megilloth.

Spore accumulation of riffs in most numbers raise a question of whether to Mortfication zapędziło not be too much in the progressive areas. As many as four pieces of the barrier exceed 6 minutes, the longest ("Overseer") lasts 9:18. Be can monument "Ancient Prophecy" from the previous album rubbed them a little way, and they had decided to risk a more complex material. Maybe for some it is a bit controversial, but I admit without hitting that I really like this approach, the more that can clearly hear that they are true COMPOSITIONS, not just riffs and conglomerates of art for art's sake. These numbers have their own dramas, and naturally evolving ... even flow, freely presenting more and more new colors and hues of the original world Mortfication. Ripped a trio of Australians working here as a single, perfect organism, like a machine that produces more minutes of music. Heighten the impression of continuity of material different climatic bulgocząco-whistling cutscenes, which are interwoven between the 'normal' tracks, in order to spoiły all the pieces together. Bravo!

interesting thing is the vocal feats frontman. Steve Rowe joined on the album growl (a little higher than the "Scrolls ..." and more hoarse) with cleaner, thrashowymi screams. As for me, in this respect there was a significant progress compared to the previous album, where in his pursuits by far outweighs the deep growling. Here you set the mix and it was a very good solution.

only advantages I mention the album, but quite hard to find here some obvious drawbacks ... The only piece seems unnecessary to me, "Flight of Victory" - which sounds nice, but not matching popisówka whole rhythm section. In addition, certain maniacs is not necessarily pleasing to the complexity of this album, but ... it is their problem.

conclusion: "Post Momentary Affliction" is the latest album of classical composition of the group (Rowe / Carlisle / Sherlock). Shortly after the release of this album the group has left the drummer Jayson Sherlock (gone to the death / doom 'this Paramaecium, and later founded unblackowy Horde). As a reason for leaving Mortification Jayson handed back to a more thrash track. I am in his place I would not go away ;-) This album is a complete robot from a really high-end, full of aggressive, yet mature, well thought of music. Without a doubt one of the best albums of Mortification. Classic.

Favorites From The Valley Of Shadows, Grind Planetarium, Impulsation

At the encouragement:

From The Valley Of Shadows

Impulsation

Rating: 9 / 10